David Schaefer 

Throughout my career as an artist I have been intrigued with light and dimensional space. Because of my fascination, it isn’t surprising that I am drawn to impressionism. the principal element of impressionism is to depict light upon first response. Many of the impressionists painters  have deeply influenced my work. It is from these masters that I have learned to develop a sense of autonomy, a self governed sense, to create my own impressions.

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I am often asked if my works are created plein-air. My works are not produced outdoors like some of the impressionists have done before me. My belief is that seeing and producing an effect with in nature is not a matter of intellect, but of feeling. In the past I recorded much of my subject matter through photography. When using these references I study the patterns of light and dark. The process of transformation begins to take place through constant observation. I use my knowledge of learned perceptions to conceptualize rather study verbatim.

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A quote comes to mind from Nicolas de Stael, “When it is cold in winter, one doesn’t feel at ease; the same true when it is too hot in summer. We are continually influenced and penetrated by nature.” Although de Stael is primarily known for his masterful abstractions, this quote reminds us how an artists’ feelings may be used to transform the human experience. Whether an artist is producing a work in an abstract manner or realistically, translating a sensation into image is key.

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In response to the impressionists philosophy I create a painting surface that is highly textural. Keeping this in mind, I apply dense strokes of oil paint with varying degrees of thickness. This contrast creates a dramatic effect which echoes the artistic process of transformation. This approach illustrates how the laws of light, reflection and shadow can be interpreted. The spontaneous and intense use of color gives emphasis to creating a memorable impression.